CANON 001DRAFTED BY BRAND DESKAPPROVED A.R.
The manifesto
Somewhere on the internet right now a founder is writing the same post: we paid an agency $10,000 a month, we got a trade mention and a call every Thursday, and we cannot leave until March.
We read those threads too. Then we read the invoices. A boutique retainer at $3,000 to $10,000 buys two to four pitches a month.1 The senior person who won the account is not the person writing them. Wire fees appear on the bill at a markup nobody explains.6 Reports count "impressions" from a database and "pitches sent" as if they were outcomes.7 And the contract runs six months because the first two are spent "getting to know the brand".2
Meanwhile the other side of the inbox got worse. Journalists now get five times the AI-written pitches they got a year ago and can spot them from the first line.3 One publication has gone phone-only.4 Half of them say fewer than a quarter of what they receive is relevant.5 The tools that promised to fix PR sent more.
Here is what we think is true.
Most of an agency's hours are research, list-building, drafting, watching and counting. Reading everything about you. Finding the twenty people who actually cover your beat and the piece each one wrote last month. Drafting a hundred words to one of them. Checking who mentioned you overnight. Reconciling the numbers on Friday. Agents do this well, around the clock, without getting bored on week nine. That is the labour, and it is most of the bill.
None of that is the job. The job is judgement: which angle, which journalist, which week, whether the number is true, whether to send at all. The job is a relationship: a person a journalist can reply to and trust. And the job is accountability: a name on the work. We do not think a model should do any of that, and the law increasingly agrees with us.8
So we built it that way. Twelve agents, each named by its job, each with a list of things it cannot do. A desk where everything they make waits. A named human who clears it, whose mailbox it sends from, whose name a journalist sees. A ledger where every claim has a receipt, and an approve button that stays grey until it does. A weekly chapter that counts outcomes and has no field for ad-value equivalents.
Then we did the thing agencies do not do: we put the prices on the page, made it month to month and wrote our limits down where journalists can read them.
It is twice the speed of an agency at a fraction of the cost, and it is also simply better behaved. Fewer pitches. Better stories. Honest numbers.